Electro Harmonix has a wide variety of old pedals that sound awesome and totally unique but they lack some of the modern features that modern musicians have come to expect. The Hog’s Foot is a unique pedal because it cranks the bass and cuts the treble as opposed to most modern boost pedals which either sound neutral or boost the treble to overdrive an amp.
Some annoyances of these old pedals include a terrible sounding bypass, lack of external power supply (and no battery door at the least!), no status LED, and the battery doesn’t even disconnect when the input plug is removed. In the process of updating this pedal we removed the battery on/off switch and wired up a new input jack to switch the battery off when unplugged the way almost every pedal in the past 40 years has done it. A “Boss style” 2.1mm barrel jack was added for power options as well. The pedal was converted to true bypass and had a red LED installed next to the switch.
Now that the power switch is no longer in use it would have been a shame to leave it without any purpose. The solution we came up with was to allow it to switch from a bass boost to a lower mid / bass boost. This adds a bit more low-mids for punch and helps the pedal cut through the mix if needed. The updates along with a new switch and jack should help the pedal feel at home on any modern pedalboard.
There’s a long history of pedal manufacturers using PCB mounted switches and a spring actuator. This system is very cost effective for manufacturers but leads to problems in reliability as the switches are often cheap and unreliable. Some other pedals with a similar switching scheme include the Line 6 modeler series pedals and the newer TC Electronics pedals such as the Flashback X4. What we do is replace the spring actuator (as shown below) with a standard “soft touch” switch which is a favorite of many musicians these days. This mod works on most pedals that have room for the new, larger, and more durable switch and will withstand the rigors of the road.
The Digitech Whammy has been around forever and the latest revision– while very nice– still doesn’t address the issue of not being able to change presets without leaning over and turning the knob. While some guitarists choose to use a MIDI box to make changes our solution has always been to install a second footswitch so you can cycle through the presets. This was a great hands-free solution but may be tedious for quick changes in the middle of a song.
The box above allows you to remotely control the Whammy and uses the same rotary control as the stock pedal. This box can be mounted on a mic stand or left on a table for easy access. We also offer LED color swaps so you can quickly identify your favorite settings from a distance. Pricing starts around $60..
We are often asked to rehouse pedals into wah casings so the effect can be manipulated while still playing guitar. This ends up being a very expensive rehousing due to the cost of the casing as well as a variety of other adjustments that need to be made in order to get the new housing to accept a circuit not designed to fit in it. When MXR released the CSP-001 Variphase there was much anticipation until the reviews came in and many of the flaws were pointed out.
First, the pedal is spring loaded so the pedal automatically returns to the heel-down (or toe-up) position. This means that you cannot set the pedal to the desired rate and then take your foot off of the pedal; You’re constantly fighting with this spring. The first thing we did in this project was remove the spring mechanism (below: left) and install a normal wah torsion block (below: right).
From here we installed a normal stomp switch as you would see on a regular wah pedal which you activate by pressing your toe down. The new switch is true bypass and we even installed a pulsing LED so you can see the rate which the phaser is set to.
The second problem with the CSP-001 is that the circuit was modified from the traditional Phase 90 in an attempt to improve it. While a different circuit doesn’t have to be a bad thing– the massive volume boost when activated is definitely not welcome. This pedal has a volume knob on the side and even at the lowest setting there is a massive increase in volume when activated. With the modifications that the customer requested it ended up being cheaper to just replace the whole CSP-001 circuit board with a 74′ reissue Phase 90 and start from scratch.
Some added modifications include knobs to adjust the maximum speed, mix, and intensity as well as a Phase 45/90 switch, upgraded jacks, and true bypass with a pulsing LED. More info about the modifications for the Phase 90 can be found on the FXdoctor Phase 90 page.
And for those of you wondering why the LED is off-centered: the placement allows you to see the rate while keeping your foot on the pedal.
Whenever I talk about modernizing pedals that refers to maintaining and improving vintage pedals without changing their tone. Sometimes this involves converting the pedal to true bypass, adding a status LED, replacing old and aging components like electrolytic capacitors, and in this case: converting the pedal to run on a standard power supply / pedal power unit.
This may sound confusing to some people. Why doesn’t changing the power supply change the tone? In this example, the MXR 117 uses a 15V regulator. That means it will take a higher voltage and always outputs 15V to power the audio circuit. Our modification removes the internal transformer and power cable and inserts a jack in its place to allow you to power the pedal from an 18V power supply. This is also a great option for pedals where the internal transformer has failed. Removing the internal transformer also allows this pedal to be rehoused, but that’s a post for another day.
The King Vox Wah and the Cry Baby from the 1970s were both made by the Thomas Organ Company. Both used the standard wah circuit that most manufacturers still use to this day. They were made on the same circuit board, 5117 transistors with a TDK 5103 inductor, used the same component values, and should sound identical.
The only difference is that this King Vox Wah has an electrolytic capacitor where the Cry Baby has a tantalum of the same value. This is due to the fact that the circuit boards were manufactured a few years apart and would not change the tone in any way for this application..
Adding an expression pedal jack to control the rate of an effect is a common request that we get for a variety of pedals. The Phase 90 is mentioned quite a bit but unfortunately it uses an uncommon potentiometer value which isn’t found in any expression pedals on the market. Our solution was to build a custom expression pedal from an old wah pedal. A few key features of this setup:
- The slowest phaser rate (heel down) is set by the Speed knob on the Phase 90 itself.
- The fastest phaser rate (toe down) is set by a Rate knob on the opposite side of the expression pedal.
- The maximum rate can go even faster than when the pedal is in stock form.
- Unplug the expression pedal and your Phase 90 is back to working like normal.
The only downside to a setup like this is the added cost of building a custom expression pedal. Our future builds will be using a Roland EV-5 expression pedal which is readily available, easily replaced in the event of failure, and is less expensive. Unfortunately the expression pedal jack occupies the battery compartment so this pedal requires an external power supply.
The EHX Clone Theory chorus and vibrato pedal is one of those pedals which we rarely see but those who use it will swear by it. The setup of the pedal is very similar to a vintage Deluxe Electric Mistress and can share some of the same mods. This one specifically was converted to true bypass, had an LED installed to indicate when the pedal is active, had an upgraded input buffer, and a boost at the output to increase the overall volume from the pedal.
One other change that we made (and the reason for this blog post) was to mention that this pedal can be converted from the 110V AC plug to a 24V DC power jack as used by the Deluxe Electric Mistress. This is a great option for those of us with pedal power supplies which do not have an auxiliary power output. As always I advise upgrading the aging electrolytic power filter caps to ensure the pedal will continue to function properly..
This Boss DF-2 was sent in by a client who loved the quirky feedback this pedal is capable of but wanted to make it more versatile and musical. For those of you who haven’t used one of these pedals, well…. it’s unique. You turn on the pedal and you get a Boss DS-1 style distortion and if you hold down the footswitch the pedal will sample your guitar at the input and generate a “feedback” pitch based on that note. It’s cheesy but can be fun when used properly.
The first part of this mod was to remove the distortion from the guitar signal. The idea is that most people have their own overdrive/distortion and wouldn’t want to sound like a Boss DS-1. Another added benefit is that all of the controls (Level, Tone, Distortion) that were once shared between the guitar signal and the feedback signal are now dedicated to just the feedback. You can sample a clean guitar and generate a feedback signal with complete control over volume, brightness, and gain. That’s part of the standard Overhaul and more info and a video can be found on the FXdoctor DF-2 page.
After that the pedal had an additional output jack installed to send just the dedicated Feedback tone without any guitar signal. This is a great option for running the feedback through separate effects, loopers, delays, and into another amp. If that setup is too complicated another option is to use the left toggle switch to kill the dry guitar signal when the pedal is activated. This allows you to just have the feedback pitch when the pedal is on; great for layering tones in noise bands and creating huge loops. The other toggle switch switches off the seasick-vibrato effect in the feedback.
Overall this was a challenging project just due to space constraints. If you’ve never popped the back off of a DF-2 it has a large circuit board filled with through hole components which takes up more room than something like the surface mount components in newer pedals. Fitting in two toggles, an extra 1/4″ jack, and additional switching/output circuitry required some careful planning and the sacrifice of the battery compartment.